Choose Your Own Adventure with jaye’s Interactive Music Video

ADHD represents the vicious-affective cycle experienced by artist, jaye in his bygone days as a hustling DJ. The four symptoms that make the acronymed A-D-H-D cycle are: Attention, Depression, Hit, and Dip. These were the formulaic-four that spun the cycle led headfirst by intoxication and party highs. All jaye could yearn for at the end was escape from its cyclical gravity. The genre-fluid single was recently released on 31 July – but that was just the shallows. Today, jaye drafts audiences into a rip-tide of immersive experiences with a powerful interactive Music Video.

Inspired by Queen’s “Bohemian Rhapsody,” jaye starts off at the deep end experimenting with the deconstruction of song and video structure to come up with the time-space defying Music Video (MV). The free-form MV is fitted much like Black Mirror’s Bandersnatch which gives users an illusion of control. Audiences get to choose their own adventure from four options (Attention – Depression – Hit – Dip) whilst vicariously living through experiences adapted from jaye’s own memories. The first chapter ends in two options (Ascend and Descend) and from there the viewer controls the narrative, or at least that’s what they think.

The postmodern video is a hands-on representation of the true viciousness of the ADHD cycle. Viewers will feel the same burden that jaye did as he realized that partying did not empower him; rather, it proved a great hindrance to his mental health and life.

jaye’s MV is a psychedelic cyberpunk microcosm with nostalgic video game elements and hair-raising horror features. Parts of the MV are also interwoven with the MVs from his former future-past releases via meta space-time warps.

With command of the concept, “the game of life”, jaye will release an 8-bit 2D Instagram filter game called HIT which will allow users to continue to engage with his Super Mario-esque hellscape (as seen in the MV). Fans will have to blink to shoot oncoming enemies with lasers in a side-scrolling virtual landscape, soundtracked by the ‘Hit’ section of the ADHD track. Prizes will be given away to those with high scores.

This track comes after the stratospheric success of previous singles ‘TOMORROW’ and ‘DEJAVU’. Both Music Videos received over half a million Youtube views after just one month, no doubt owing to their conceptual depth and edge.

Image and details provided in a recent press release.

Ben&Ben launches BBTV in celebration of 1M subscribers on YouTube

After reaching more than a million subscribers on YouTube, multi-awarded nine-piece collective Ben&Ben have heeded the call of fans for more exclusive content in the coming days.

The acclaimed band has recently announced the launch of their upcoming weekly series, BBTV to celebrate this important milestone in their career. 

“We’ve been making vlogs that showed our life behind the scenes, but eventually the band and its team came up with the idea,” vocalist and guitarist Miguel Benjamin shares. “Its primary goal is to simply find more ways to connect to people through more varied content.”

Extensive range of content

Aside from themed music performances and collaborations, expect an intimate look at the band’s more personal and entertaining side as they share their journey of living together under one roof.  “We decided to live together to eliminate or at least greatly lessen the risks involved with working outside,” says Miguel. “We always had the idea of living together in the future to create content and write music, but with the situation now we realized that now was the best time to actually give it a shot.”

Ben&Ben also revealed about their plans to drop a “head bang” version of their smash single “Pagtingin,” as well as cover select K-Pop songs in the future. 

The online series, which airs every Wednesday, will also feature a more extensive range of content for people to connect to, including but not limited to games, competitions, challenges and other forms of entertainment. 

Sophomore Album 

Ben&Ben are currently working on the follow-up to their platinum-selling debut album, Limasawa Street, which produced generation-defining songs such as “Pagtingin,” “Fall,” “Araw-Araw,” “War,” and more. 

Paolo confirms in a statement that one of the reasons for moving in was to start writing for their second album to be released under Sony Music. “We wanted the process to be as organic and as involved as possible, and we’re so excited to see what we can come up with where distance and time isn’t a hindrance.”

New episodes of BBTV will drop every Wednesday of the week on the Ben&Ben YouTube Channel, starting August 5, 2020.

Image and details provided by Sony Music Philippines in a recent press release.

Exclusive: SB19 drops their highly anticipated debut album, ‘Get in the Zone’

SB19 pushes the envelope of pop music with the release of their debut full-length album, Get in the Zone, out now on all digital platforms worldwide via Sony Music.  

Mashing together various music influences with top-tier production and global appeal, the nine-track release features six original compositions, along with the EDM version of “Love Goes” and two instrumental songs.

Thematically speaking, Get in the Zone maps their creative and personal journey. “It hasn’t been long since we released our debut single ‘Tilaluha,’ but prior to that, we have been training for years already,” says Sejun. “We wanted to incorporate all the things that we have experienced during trainee days into this album by putting all the emotions that we went through into our music. It was an emotional rollercoaster, but we pulled through and we hope that we get to inspire people with our story.”

SB19’s first album kicks off with the two-punch knockout of “Alab” and “Go Up”—both chart-topping singles that bask in electronic grooves, pulsating hip-hop rhythms, and technicolored beats. These songs not only exude outsized charisma, but it also showcases SB19’s potential as a phenomenal pop group capable of defying trends and trailblazing a new movement in the international music arena.  

Get in the Zone takes a more somber turn with “Tilaluha,” a stripped-down ballad that tackles one’s remorse over reciprocated romance. It’s a refreshing misnomer in a record filled with upbeat jams and shiny pop tunes, and one that blows the roof off, vocal performance-wise. 

The winsome streak continues with the R&B-infused “Love Goes,” a song that talks about one’s suffering over a lost loved one, and its sequel, “Hanggang Sa Huli,” which allows the broken person to heal and find comfort in a kind of love that lasts a lifetime. The sonically adventurous album also includes “Wag Mong Ikunot Ang Iyong Noo,” a Filipino adaptation of the Korean ‘90s smash “Sarangeun Ya YaYa,” as well as an EDM remix and two bonus tracks.

According to Sejun, what sets Get in the Zone apart from other contemporary releases is the collaborative synergy between K-pop producers and Filipino talents, resulting into an exciting yet compelling final product. “It’s a great thing to get all the good traits from Korean and Philippine music/culture, and put them together into one. If you’ll dive deep into it, you’ll find a whole new sound rich in both cultures.”

As for the creative process, SB19 members Justin, Sejun, Josh, Ken, and Stell are very hands on when it comes to writing songs and creating melodies. Justin shares, “In this album, we didn’t collaborate with any other artist. We also wrote the lyrics for all the songs ourselves, but we’ve worked with Korean Producers who have also worked with famous artists in Korea already. It was a different experience for each producer since they have different styles, but overall, everything was fun and exciting.”

The award-winning band dedicates their new album, Get in the Zone to every single one of their A’TIN fans who have relentlessly supported their music through thick and thin. “All our achievements to date would not have been possible without you,” says Josh. “So in return we will work harder and continue to uplift you with more music and content so that we can give back the love we’ve received from you.”

Check out SB19’s Get in the Zone here.

Image and details provided by Sony Music Philippines in a recent press release.

Barbie Almalbis honors Filipino optimism with “Umagang Kay Ganda” music video

Filipina rock icon Barbie Almalbis hopes to encourage and inspire listeners to rise above the extraordinary times.

With the official release of “Umagang Kay Ganda,” the third single of her upcoming new album under Sony Music Philippines, the Dahilan singer-songwriter uses her platform to pay tribute to the courage and optimism of the Filipino people.

“The current situation has made so many of us experience such a profound sense of loss, and it has also given us a rare chance to stop and reassess our lives and consider the things that we really value,” the acclaimed pop-rock artist shares. “I hope Umagang Kay Ganda will be a blessing especially to our frontliners. It is our little way to say thank you for the selflessness that they have continually shown and the sacrifices that they have made to help us get through this together.”

With the help of constant collaborators, Barbie and her bandmates put a creative stamp in reimagining “Umagang Kay Ganda,” while making sure that its empowering message shines through the intricate arrangement. “Karel and I initially jammed it and he wrote lines for the instrumental section, then we arranged the rest with Nikko on keyboard and Jonard on drums. We were able to record the rhythm section just a few weeks before the lockdown.” As a result, the new version conveys the timeless appeal of the original, while exuding a warmer approach in terms of production details.

Inspiring music video

The official release of Barbie Almalbis’ latest single comes with an accompanying music video that brings to light everyday stories of hope and love for the country amidst the global health crisis.

Interspersed with scenes of the new normal, the visuals for “Umagang Kay Ganda” also showcase the heroic deeds of our frontliners and several acts of compassion and resilience from ordinary Filipino folks.

Barbie adds, “Although some people consider music and visual arts as non-essentials these days, I’ve found that many are actually turning to the arts as a way of coping and feeling connected to others. We want to remind people of the real hope that we have and can hold on to, even as we confront the invisible enemy on a day to day basis. We’ll be able to stand above difficult situations and hurdle these atrocities with the gift of love and compassion.”

The music video is also part of Magnolia Dari Creme’s campaign reminding us that in extraordinary times as in the normal times, tomorrow always brings us new chances for a brighter day as long as we are with the ones we love.

Image and details provided by Sony Music Philippines in a recent press release.

 

Sponge Cola signs to Sony Music, releases new song “Lumipas Ang Tag-Araw”

Sponge Cola has officially signed to Sony Music—the record label that released their debut album, Palabas.

To mark this return, the award-winning band drops a new song entitled “Lumipas Ang Tag-araw,” out now on all digital platforms worldwide. 

Capturing the essence of a belated summer anthem in less than four minutes, Sponge Cola’s latest single soars into the fast lane with verses that turn romantic yearning into an inescapable sing-along, and a power pop surge that packs a ton of punch. 

Connection in separation

The captivating and relatable lyrics echo the collective frustration of not being with the people we deeply care about and love. But on the other side of the narrative, the song presents an opportunity to weather the insurmountable odds through perseverance and resilience to get through life—thanks to the support and kindness of friends and family. “It’s a story of connection in separation, and how we can be a source of comfort for each other during difficult times,” guitarist Armo Armovit adds.

Vocalist and guitarist Yael Yuzon fondly recalls the inspiration behind “Lumipas Ang Tag-araw” after driving his wife to work one morning under the new normal. He remembers becoming intensely emotional out of nowhere. “It was a strange feeling: a realization about everything that has or hasn’t happened since Covid-19, which yanked us away from our usual. And at that moment, this bright and happy melody just came to me, then some words and harmonies. When I got home, I fleshed everything out and recorded a demo within a few minutes. I guess I just needed to uplift myself, so I wrote something uplifting– something that doesn’t highlight the struggle everyone has been trying to deal with during the pandemic and the lockdown.” The creative and emotional surge led to writing the initial draft of “Lumipas Ang Tag-araw”—a love song that deals with the struggles of physical connection in the time of pandemic.

“Virtual” recording

The upbeat pop-rock tune is the first song that the band arranged and recorded in the comforts of their home, without being together in the same place. Armovit shares the challenging process that transpired during the preliminary stages of the recording. “We sent demos and voice memos to each other back and forth, tweaking parts, creating variations, until we all agreed on a final arrangement. Everyone then had to record their own parts at home and send it to a communal online drive for the producer, Angee Rozul, to bring everything together for the final track.”

Under normal circumstances, Sponge Cola would usually write the song, arrange it in a rehearsal space, and record it together in a studio. But due to the nationwide lockdown imposed in the previous months, the alternative rock quartet decided to use the time and resources available at their disposal to record individually at their own place. “There was a lot of self-editing because you’re not being policed by your bandmates or a producer constantly keeping tabs on possible mistakes or improvements, at least in person,” says Yael Yuzon. “It was all about laying in your parts when the song was passed on to you, and you had the responsibility to keep things right and easy for the next guy to add on to.”

Music video

According to Armovit, the lockdown-inspired music video of “Lumipas ang Tag-Araw” takes an intimate look into the fictional and real-life character’s personal worlds—their bedrooms, living spaces, confined homes—and the routine that they’re up to, in hopes of coping with the situation under quarantine. “It was also our first time working under special conditions, where we had to film all the scenes ourselves with our own phones and cameras. I’m very thankful for the help and guidance from King Palisoc, our director, and the creative ideas from his team.”

Image and details provided by Sony Music Philippines in a recent press release.

Singapore nu-jazz outfit The Steve McQueens drop soulful new single ‘Firefly’

Singapore nu-jazz band The Steve McQueens have released their long-awaited brand new single ‘Firefly’ via Singapore based indie label Umami Records, exactly 143 weeks after their last release, full length album ‘TERRAЯIUM’ in 2017. The release comes fresh off the band’s ‘Nerd Lounge’ tour at the start of the year where they played shows at the Jakarta International Java Jazz Festival, Tokyo Big Romantic Jazz Festival and the Esplanade Singapore.

The Steve McQueens have provided the following statement announcing the new song:

“Firefly generates its own light
Firefly generates its own beauty
Passion flies like fire
Passion dies with no desire
Passion is beauty
– The Steve McQueens”

‘Firefly’ is the lead single of The Steve McQueen’s new EP ‘Nerve Endings’, scheduled for release on 7 August 2020, featuring music from the band’s ‘TAPE’ tour in 2018. The band is currently writing and recording new material for their fifth album, ‘The Observer’, to be released in 2021. The band provides some insight into the thinking behind the project: “The Observer stands apart, an indifferent spectator at the ongoing culture clash between the jazz traditionalists and the new guard, smiles quietly to himself and just makes music.”

‘Firefly’ by The Steve McQueens is available everywhere at this link.

About The Steve McQueens

The Steve McQueens refuse to be pedestrian; they don’t live in the transient, or the touch-and-go. Swerving between cool seduction and gripping magnetism, they are ambitious to light the world up with their progressive brand of self- titled neo- vintage soul- funk. They have played to growing attention at festivals like the Tokyo Jazz Festival and Summersonic (Japan), Java Jazz (Indonesia), SingJazz (Singapore), Melbourne International Jazz Fest (Australia) and Jarasum International Jazz Festival (Korea). The quartet formed in 2013 as a forging of four mercurial talents in Singapore, a small country punching above its weight in Southeast Asia’s music scene. Critically acclaimed, The Steve McQueens will leave an indomitable mark on any listener with their music.

About Umami Records

Umami Records is a Singapore-based indie record label founded in 2013. Much like the “5th taste” reputation of its namesake, the label strongly believes in discovering new, interesting sounds that run underground and away from the mainstream. The label’s tight-knit, curated roster thus far has included releases from Linying, The Steve McQueens, brb., Evanturetime, CampFire, Martin Baltser, Phoria, Oriental Cravings, and more.

UE Jam Sessions pay tribute to the frontliners with original song, “Lalaban Tayo”

UE Jam Sessions (UEJS), the premiere music organization in University of the East, released a tribute music video dedicated to the medical practitioners and frontliners of the country, who are risking their lives amidst the pandemic crisis.

“Lalaban Tayo” was written by Jenny Legapi, arranged by Choi Felipe, and executive produced by Tommy Tanchanco. Featuring 34 singers and musicians from UEJS Manila and UE Caloocan, the collaborative effort was recorded and filmed during the lockdown period in the confines of their own homes.

Despite the limited resources and massive challenges that the students have to go through in the recording process, they were able to improvise and produce a studio-recording quality of the uplifting pop-rock anthem that champions the daring and uncompromised sacrifices of our modern day heroes. It’s their contribution for all the hard work that our medical, security and essential frontliners had to endure during these uncertain times.

“As we move forward in these trying times, we put our hopes in one another,” 12 Stone Records CEO Tommy Tanchanco shares. “Reshaping our lives this quarantine can never be easy for all of us, but still, let us not forget those people who risk their own lives on the front line and go beyond their call of duty.”

Its accompanying music video, which was edited by Cher Manulit, interspersed individual recordings from the participating student-musicians with inspiring clips showcasing the acts of kindness and compassion of our frontliners, particularly those in the medical field.

“Lalaban Tayo (A Special Tribute To Frontliners)” is now released via 12 Stone Records.

Details and image provided in a recent press release.

Singapore electronic producer Xinister teams up with Asian-American rapper Blahza on new single “Break”

Singapore electronic producer Xinister collaborates with Los Angeles based Asian-American rapper Blahza on ‘Break,’ released via Singapore based indie label Umami Records.

The lo-fi rap tune emphasizes the importance of staying humble while grinding and hustling for that big break. Blahza shares, “Rappers nowadays feel like they have to be loud and obnoxious to get on. This song has a similar message, but approaches it in an opposite style. Plus, with the whole COVID-19 thing going on now, I feel hating is at an all-time high. People seem to be so quick to point fingers.”

Known for his intense, high-energy trap/dubstep tracks which have already been featured on Spotify’s Bass Arcade, Beast Mode, Dubstep Don, and Trap Mojito, ‘Break’ is Xinister’s first hip-hop production. “I want to be more versatile and to keep pushing myself out of my comfort zone”, shares Xinister. “With ‘Break’, I was going for a chill COVID-19 stay home vibe. Blahza definitely killed it.”

In the midst of the COVID-19 lockdown, from their homes on opposite sides of the world in Singapore and Los Angeles, both artists went back and forth to write and produce ‘Break’ without ever having met each other in person. Xinister says, “it’s just two guys from different countries, only talking to each other online, yet we connected with each other instantly.”

“It was pure musical chemistry”, adds Blahza.

Xinister has 3 more singles planned for release in 2020, and Blahza will be releasing his LP, Sad Songs For Happy People over the next 12 months.

Listen to ‘Break’ by Xinister and Blahza everywhere at this link.

About Blahza

Los-Angeles based Asian-American hip hop artist and producer Blahza’s makes music with a larger than life sound about his afflictions, aspirations, and accomplishments, inspired by the American counterculture of the late 1960s and music from the early 2000s.

Blahza recorded, mixed and mastered Blueface’s record ‘Next Big Thing’ in 2018. In 2019, Blahza opened for Members Only at the first stop of their album tour, and released his EP ‘Bloom’.

Born and raised in Van Nuys, of Puerto Rican and Chinese parents, Blahza grew up surrounded by music and diversity. He fell in love with rap music and especially how it bridged different cultures.

Blahza is currently working on his full-length debut album ‘Sad Songs For Happy People’ slated for release later this year.

About Xinister

Singapore electronic producer Xinister is known for his intense, high energy trap/dubstep tracks which have already been featured on Spotify’s Bass Arcade, Beast Mode, Dubstep Don, and Trap Mojito.

With more than a million Spotify streams, Xinister’s music has also been featured on Russian football club FC Zenit Saint Petersburg’s YouTube channel totalling more than 4 million views.

‘Break’ is Xinister’s first hip hop track and will not be his last as he continues to develop his versatility with several more releases planned across genres the rest of this year.

About Umami Records

Umami Records is a Singapore-based indie record label founded in 2013. Much like the “5th taste” reputation of its namesake, the label strongly believes in discovering new, interesting sounds that run underground and away from the mainstream. The label’s tight-knit, curated roster thus far has included releases from Linying, The Steve McQueens, brb., Evanturetime, CampFire, Martin Baltser, Phoria, Oriental Cravings, and more.

Image and details provided by Umami Records in a recent press release.

 

Listen to Twenty-Nine Eleven’s take on 6cyclemind’s “I”

Filipino pop-rock outfit Twenty-Nine Eleven has finally released their remake of 6cyclemind’s “I,” off the upcoming Sige I-Cover Mo Lang Project.

The song serves as the second single of the online compilation, produced by 6cyclemind and their management Soupstar Music, and released by Sony Music Philippines.

The aforementioned tribute record aims to introduce the band’s legacy as reliable hitmakers that continue to define an entire generation’s collective consciousness.

A captivating take

Twenty-Nine Eleven’s version of the alt-rock classic was handpicked as one of the three winners of the Sige I-Cover Mo Lang Project—an initiative that encouraged fans to submit covers of their favorite songs from 6cyclemind’s catalog.

Their captivating take stands out with its earnest simplicity and delicate arrangements, giving the song a refreshing spin while maintaining the original’s timelessness and emotional appeal.

According to Fony Alfonso, the lead vocalist of the five-piece band, the song is already great on its own. “However, in order to make it sound like us, we wanted to rearrange the song and add more of our personality to it. As with all of the songs that we’ve done before, we experimented with it until we got the right ‘feel’ that we wanted to express as a band.”

An inspiration to young musicians

The independent band considers 6cyclemind as one of their inspirations. “After spending time with the members of 6cyclemind, we were able to understand that it wasn’t only their music style that made them successful, but also their perseverance in pursuing their career and passion,” guitarist Alexandre Abesamis shares. “As they’ve told us back then, there were a lot of other better and more skilled bands than them, but what made them stand out is that they never stopped playing.”

Currently, Twenty-Nine Eleven is working on new material and experimenting with various sounds and techniques culled from their individual music influences. Drummer Jerell Co adds, “Ever since high school, we were subjected to various styles and genres of music from the most dramatic love songs to the heaviest rock songs. That alone has developed the kind of music we could make now.”

Twenty-Nine Eleven’s rendition of “I” is now available on various music streaming and download platforms worldwide.

Image and song details provided by Sony Music Philippines in a recent press release.

 

Danzz releases fifth single “Blurred Visions (Acoustic)”

Amid these turbulent times, Danzz is back with the release of her fifth single, Blurred Visions (Acoustic) on 5 June 2020. The single was produced and recorded by dMCreative from Singapore.

Blurred Visions tells the story of someone who has hit rock bottom. Paralyzed. Unable to move and see clearly. With no way forward in sight. Someone who has lost in the game of love. Many of us have gone through extremely painful heartbreaks and Blurred Visions is a reflection of that experience. “Voices in my head, telling me to stop and look to the mirror, is this what I want,” she laments.

This acoustic rendition to Blurred Visions by Danzz, recorded during a live studio session, is her way of thanking her fans for all their support in pushing her hit single, Moonlight onto the Top Hits Philippines Spotify Editorial Playlist and hitting over 1 million streams. She delivers this heartfelt melancholic story, mixing metaphorical lyricism with honest singing, while showing a different side to her. Stripped down. Vulnerable. No beats. No noise. Raw. Just Danzz.

“Blurred Visions” is her first acoustic release. Danzz has a number of songs under production with a number of other producers as well as some collab songs with other artists, due for release later in 2020. We look forward to more from Danzz!

Image and details provided by dMCreative in a recent press release.