Tag: tv series

TV adaptation of Neil Gaiman and Terry Pratchett’s “Good Omens” to be released in 2019

The creatively twisted minds of two of Britain’s greatest modern fantasy writers produced Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch (or more commonly known as just Good Omens). The fruit of a very successful collaboration between Neil Gaiman (“American Gods,” “The Graveyard Book,” and “Stardust“) and Sir Terry Prachett (“Discworld“) published in 1990, Good Omens is a quirky and entertaining novel that tells of the coming of the Apocalypse. The book is chock-full of humorous situations: from a witch’s super-accurate predictions of her execution, the birth and childhood of the AntiChrist in the English suburbs, the coming together of the Four Horsemen, and the mad antics of the legions of Heaven led by Aziraphale the Angel and Hell led by Crowley the Demon (both of whom happen to treat each other as friends) as they prepare for the endtimes.

I first read the book in the late 90’s and I did think the story would translate well onscreen.

A film adaptation was in fact planned in 2002 in which Robin Williams and Johnny Depp were set to star as Aziraphale and Crowley respectively but financing fell through.

A radio dramatization was aired in BBC Radio 4 in 2015, wherein Gaiman and Pratchett had cameo appearances.

Nearly two decades after first reading the book, I’m thrilled to find out that a TV adaptation is finally in the works, starring no less than Michael Sheen (“Underwold: Rise of the Lycans,” “Midnight in Paris“) as Aziraphale and David Tennant (“Harry Potter and the Goblet of Fire,” “Broadchurch“) as Crowley.

This TV series couldn’t have come at a better time, being the new Golden Age of Television, and judging from the recent success of the TV series based on another Neil Gaiman novel, American Gods.

The 6-episode series will be released on Amazon Prime in 2019, followed by a conventional broadcast on BBC Two.

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HBO colonial period drama Grisse now in production

Modern-day Indonesia was formed from the nationalised colonies of the Dutch East India Company. It was a gem of the Dutch empire, contributing to the empire’s prominence in the spice and cash crop trade in the 19th century.

In common with the experience of various colonized lands, the economic prosperity that befell the Dutch empire came at a great cost to the natives: from exploitation of their resources to being relegated to second-class citizens in their own motherland. Unsurprisingly, tensions rose between ghe colonizers and the natives until revolts broke out.

One such revolt is depicted in the new HBO Original Series, Grisse, which has now begun its principal photography amd is scheduled to premiere later this year on HBO’s on-air, online and on-demand platforms.

The series’ eight hour-long episodes will chronicle the story of how a group of unlikely individuals with diverse backgrounds and motivations came together to rebel against a brutal governor and found themselves in control the Dutch garrison town called Grisse.

Developed and produced by HBO Asia and together with Singapore-based Infinite Studios, GRISSE will feature an ensemble cast of actors who are based in Indonesia, Japan, Malaysia, Singapore and Europe. They include Adinia Wirasti (HBO Asia’s “Halfworlds Season 1”), Marthino Lio (“Sayang You Can Dance”), Michael Wahr (“City Homocide”), Edward Akbar (“Air Terjun Pengantin”), Jamie Aditya (“Sync or Swim”), Toshiji Takeshima (HBO’s “True Blood”), Joanne Kam (“Kopitiam”), Zack Lee (“The Raid 2”), Tom Dejong (“Medisch Centrum West”), Ully Triani (“Stay With Me”), Rick Paul Van Mulligen (“A’dam E.V.A.”), Alexandra Gottardo (“Tanah Air”), Hossan Leong (“The Forbidden City”) and Jimmy T (“Robocop 3”). Director and showrunner for GRISSE is Mike Wiluan (“Buffalo Boys”).

“We are delighted to once again bring together many talents from Asia to produce this adaptation of a historical tale of a small town in Indonesia. GRISSE promises to be action-packed with plot twists and interesting storylines that we hope will captivate our audiences in the region and beyond,” said Jonathan Spink, CEO of HBO Asia.

Series details provided by HBO in a recent press release.

Disclosure: I work for SKY and part of my job is promoting its products and services, especially the content it provides to its subscribers. I consider being able to share my love for TV shows and movies and the experience of watching and talking about them with like-minded people some of the biggest perks of my job.

6 Takeaways from Journey Into Night, Westworld Season 2’s Explosive Premiere Episode

We’re back in Westworld, thanks to an exclusive advance screening held by HBO and SKY.

Held at the Narra Rooms in the posh Shangri-la at the Fort Hotel last April 19 (four days before its TV premiere on April 23, Monday), the event was attended by selected SKY subscribers as well as members of the press and social media influencers.

By the time this post is published, the episode should have aired on HBO. For those who haven’t watched it yet, be aware that there will be spoilers below!

So far, my thoughts on the episode titled “Journey Into Night” are:

  1. The inmates have taken over the asylum. When we left Westworld during last season’s finale, it was on the brink of chaos. Now we see the aftermath: bodies of both hosts and their human guests are littered everywhere, clear evidence of violent delights that have violent ends.
  2. They are out for blood. Former Sweetwater sweetheart Dolores Abernathy (Evan Rachel Wood) has fully embraced her inner Wyatt. Together with her posse which includes earnest cowboy Teddy Flood (James Marsden) and femme fatale Angela (Tallulah Riley, now promoted to series regular) are hunting down the human guests who were present during Robert Ford’s (Anthony Hopkins) presentation of his new narrative (which has the same title as this episode – Journey Into Night), and subsequent death at Dolores’ hands (yes, he’s really dead as evidenced the maggotty rotting corpse in the beach scene which takes place a few weeks after the shooting). Having broken free of the restriction from killing humans, the hosts are rounding up all the other human survivors and shooting them down or lynching them.
  3. A mother’s love knows no bounds. Former brothel madam Maeve Millay (Thandie Newton) is continuing her search for her daughter in her past narrative, despite knowing that “it is not real,” enlisting the willing assistance of notorious bullet-ridden outlaw Hector Escaton (Rodrigo Santoro) and the reluctant one from narrative designer Lee Sizemore (Simon Quarterman).
  4. Worlds are colliding. Last season, we discovered that Shogun World exists. Now, thanks to a robotic carcass of a giant robot Bengal tiger which the SWAT peeps say wandered too far from home, we can surmise that there’s probably a Jungle World as well.
  5. The Man in Black (Ed Harris) still has something to keep him busy. Last season, he was told by Ford that the maze (the object of his obsession which turned out to be the hosts’ journey to consciousness) was not for him. In this episode, he was told by Ford’s young robot clone that he is now in the game.
  6. Bernard Lowe (Jeffrey Wright) is acting all shady again. We know that this good-hearted head of behavior can be used as a weapon. Seeing him in a series of timejumps, from waking up to security personnel rounding up hosts for the slaughter to his run for survival with Delos director Charlotte Hale (Tessa Thompson), we know he will prove be central to more violent ends from violent delights.

Westworld Season 2 premiered on HBO (SKYcable ch 168 HD | 54 SD) on April 23, Monday at 9am with a primetime encore telecast at 10am. A new episode airs every Monday at 9am.

New Westworld episodes will also be available for streaming within the same day on HBO Go, HBO’s online streaming service exclusively available to SKY subscribers.

Disclosure: I work for SKY and part of my job is promoting its products and services, especially the content it provides to its subscribers.  I consider this privilege one of the biggest perks of my job: being able to share my love for TV shows and movies and the experience of watching and talking about them with like-minded people.

Two generations of viewpoints on “Friends,” now on Netflix

For many Gen Xers, the TV show Friends defined an era, our era.

The show started airing in September 1994, during my last year in high school.

Netflix all ten seasons just this month, January 2018, coincidentally my teenage daughter’s last year in high school.

To me back then, the show served as a special preview of “the world out there,” i.e., adult life. For my daughter, with whom I watched some episodes, it serves as a point of conparison between the issues she faces today and those I faced during my formative years.

The story kicked off when spoiled “daddy’s girl” Rachel Green (Jennifer Aniston) runs out of her wedding and (while still in her wedding dress) goes looking for her high school best friend (Monica Geller).

Monica, despite having lost contact with Rachel after high school, good-heatedly welcomed her into her home and into the gang composed of Monica’s brother Ross (David Schwimmer) who was traumatized by his divorce from his wife who turned out to be a lesbian, the boys who live across the hall Chandler Bing (Matthew Perry) who was Ross’ roommate in college and struggling actor Joey Tribbiani (Matt LeBlanc), and Monica’s cooky ex-roommate Phoebe Buffay (Lisa Kudrow).

Throughout the show’s ten-season run, the six friends navigated their way through life in New York City: found and lost jobs, started and ended relationships, and found and reinvented themselves.

While today, my daughter and her peers found the show’s jokes about “Fat Monica,” homosexual relationships and transgender identity problematic, back then, I was amazed these themes were being shown at all.

I was inspired by Monica’s transformation from an obese teen to a slim and confident chef (and I’m still perplexed as to how she was able to maintain her size despite being constantly surounded by food).

I found the decision of Ross’ ex-wife to raise their child with her lesbian partner, and later Rachel’s to be a working unwed mother brave.

I understood Chandler’s resentment of his father Charles’ transition to Helena Handbasket; after all, the announcement of her separation from Chandler’s mom was done after Thanksgiving dinner when Chandler was nine, hardly the epitome of sensitivity to the child’s sensibilities.

Despite the differences in the lenses that we view this iconic show, some themes are constant: the importance of friendship, acceptance of oneself and others, and growing up.

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Grimm Season 6 now streaming on Netflix

At last! After nearly a year of waiting, the final season of Grimm is now streaming on Netflix here in the Philippines!

I have faithfully followed this show since it started in 2011, never missing an episode despite work or family obligations.  As can be gleaned from the fangirlish tone of various episode recaps I found myself posting, it’s safe to say that I have a (hopefully!) mild obsession for this show.  I guess that Grimm can be considered one of my guilty pleasures.

When its final episode aired on March 31 last year, I was almost heart-broken.  I knew I would be missing Nick Burkhardt’s (mis)adventures as well as those of his Wesen and human friends.  I was overjoyed to discover that Seasons 1 to 5 are available on Netflix and lost no time binge-watching the series every chance I got.

For those who are not familiar with the series, Grimm is a TV show that originally aired on NBC in the US (Universal Channel on SKYcable in the Philippines).  It basically consists of modern retellings of the Brothers Grimm fairytales as well as folklore and mythical stories from varied cultures.

The show follows the adventures of Portland police detective Nicholas Burkhardt (played by David Giuntoli) just as he finds out that he is among the line of Grimms, a special breed of humans with the ability to detect Wesen, or supernatural beings.  Grimms are tasked to maintain the balance between humanity and Wesen, and oftentimes, Grimms have taken brutal measures against the creatures, making them highly feared in the Wesen community.  Nick’s role as a Grimm is further complicated by his being a cop; while he is usually able to meld his duties to both roles, there are times when he has to choose which dictates to follow.

He is aided by a strong cast of supporting characters such as Monroe (his last name was never revealed, played by Silas Weir Mitchell), his Wieder Blutbad (reformed werewolf) BFF, his cop buddies Hank Griffin (played by Russell Hornsby) and Drew Wu (played by kababayan Reggie Lee) and his love interests/nemeses Juliette Silverton (played by Bitsie Tulloch) and Adalind Schade (played by Claire Coffee).

Its setting in Portland, Oregon is also very on-point.  Its verdant forests, mild climate and slogan “Keep Portland Weird” provided a lush background for the supernatural situations the characters found themselves dealing with.

I love how this show is able to adapt fairytales and myths into modern situations, influenced not just by Germanic folklore (from which most of the Brothers Grimms’ stories are collected from) but also by other cultures such as Latin American (“La Llorona” and “El Cucuy“), Native American (“Wendigo“), Egyptian (“Anubis“), and, of course, the one closest to my heart, Filipino (“Aswang“).

The show had a few faults, such as the wonky special effects involved in showing how the Wesen morph from their human forms to their mythological forms and vice versa, as well as convoluted side plots involving a European Royal Family and a set of keys passed down from the Knights Templar. I also consider Juliette’s journey to the dark side and killing of a pivotal character the show’s “jumping the shark” moment, as it weakened part of the show’s heart.

Still, what kept me tuned in were the depictions of Nick’s rich and nuanced relationships with his Wesen and human allies.  His “bromance” with Monroe, in particular, grew from a reluctant partnership to a deep and abiding friendship that enabled Nick and Monroe to oftentimes defy the dictates of their natures to help each other.

Grimm has been a part of my TV habit for seven years and it left quite a big void: I haven’t found a new series that comes close to its appeal to me.

Until then, I will satisfy myself with watching and re-watching this series on Netflix.

Why you should watch Outlander

Historical romance received some flak a few years back, with the genre often dubbed as “bodice-rippers” by some of its critics. However, the genre has produced several notable oeuvres, one of which is Diana Gabaldon’s Outlander which has been adapted into a TV series by Starz starring Catriona Balfe and Sam Heughan.

Outlander begins in 1945, when Claire Beauchamp Randall, a British World War II nurse, is on a second honeymoon with her husband Frank in Scotland to reconnect with each other after being separated by the war. While exploring the mystical standing stones in Inverness, she is taken back to 1743 where she meets her husband’s dastardly ancestor Black Jack Randall, the series’ main villain, and the dashing Jamie Fraser, the young heir to the Scottish estate Lallybroch who is in hiding among his MacKenzie relatives following some misadventures involving the British forces occupying Scotland at the time. Circumstances forced Claire and Jamie to marry each other (despite Claire’s prior marriage to Frank in the 20th century), and the two found themselves falling in love amidst the challenges brought about by witchcraft accusations against Claire, Black Jack’s wicked intrusions in their lives and the upcoming Jacobite rebellion.

Outlander is a highly complex and engaging show which deserves your binge-watching hours due to the following reasons:

  • A complicated love story. Claire and Jamie come from very different time periods which shaped their very different points of view. Things are further complicated by Claire’s conflicted feelings for Frank whose existence she must protect by ensuring that his ancestor Black Jack Randall does not meet his demise until he has already fathered a child.
  • A strong and smart female lead. Claire uses her wits, her knowledge of history and her medical background to navigate and survive 18th century Scotland. She is outspoken (sometimes to her detriment) but she stands by her principles and has an overwhelming drive to help others.
  • A hunky and “woke” male lead. Jamie Fraser is a product of his time, with a strong inclination to protect his loved ones, particularly the women in his life. He even took a flogging to protect his sister from rape. However, as he gets to know Claire, he grows to appreciate her independent nature and even believes her when she confesses her time traveling.
  • Sex scenes that are hot but not lascivious. Outlander’s sex scenes are often said to be made for the female gaze as opposed to the male’s. The camera lingers on Jamie’s physique as it does on Claire and the on-screen love-making are in turns hot, tender and funny.
  • Writing that does not shy away from and builds on the shock value. Black Jack Randall is among the darkest characters on TV and his dealings with Jamie, particularly in the episode “To Ransom a Man’s Soul,” is riveting yet almost painful to watch.

Outlander episodes are available on Amazon Prime.  Not yet on Amazon Prime? <a href="http://<a target="_blank" href="https://www.amazon.com/gp/video/primesignup?ref_=assoc_tag_ph_1402131641212&_encoding=UTF8&camp=1789&creative=9325&linkCode=pf4&tag=dyelibins-20&linkId=87549f105d0eca734855bc19926bdf2b">Join Amazon Prime – Watch Thousands of Movies & TV Shows Anytime – Start Free Trial Now</a>""Start your 30-day free trial today!